ちょっと立ち止まって桑原茂夫 自分ではＡだと思っていたものが、人からＢ

ちょっと立ち止まって
桑原茂夫


自分ではＡだと思っていたものが、人からＢともいえると指摘され、なるほどそうもいえると教えられた経験は多いことだろう。
上の図は「ルビンのつぼ」と題されたものである。よく見ると、この図から二種類の絵を見てとることができるはずだ。白い部分を中心に見ると、優勝カップのような形をしたつぼがくっきりと浮かび上がる。このとき、黒い部分はバックにすぎない。今度は逆に、黒い部分に注目してみる。すると、向き合っている二人の顔の影絵が見えてきて、白い部分はバックになってしまう。
この図の場合、つぼを中心に見ているときは、見えているはずの二人の顔が見えなくなり、二人の顔を中心に見ると、一瞬のうちに、目からつぼの絵が消え去ってしまう。
このようなことは、日常生活の中でもよく経験する。今、公園の池に架かっている橋の辺りに目を向けているとしよう。すると、橋の向こうから一人の少女がやって来る。目はその少女に引きつけられる。このとき、橋や池など周辺のものは全て、単なる背景になってしまう。カメラでいえば、あっという間に、ピントが少女に合わせられてしまうのである。ところが逆に、その橋の形が珍しく、それに注目しているときは、その上を通る人などは背景になってしまう。
見るという働きには、思いがけない一面がある。一瞬のうちに、中心に見るものを決めたり、それを変えたりすることができるのである。
上の図の場合はどうであろうか。ちょっとすまして図の奥の方を向いた若い女性の絵と見る人もいれば、毛皮のコートにあごをうずめたおばあさんの絵と見る人もいるだろう。あるいは、他の絵と見る人もいるかもしれない。
だれでも、ひと目見て即座に、何かの絵と見ているはずだが、そうすると、別の絵と見ることは難しい。若い女性の絵だと思った人には、おばあさんの絵は簡単には見えてこない。おばあさんの絵と見るためには、とりあえず、今見えている若い女性の絵を意識して捨て去らなければならない。
左の図を見てみよう。化粧台の前に座っている女性の絵が見えるであろう。ところがこの図も、もう一つの絵を隠しもっている。目を遠ざけてみよう。すると、たちまちのうちに、この図はどくろを描いた絵に変わってしまう。同じ図でも、近くから見るか遠くから見るかによって、全く違う絵として受け取られるのである。
このことは、なにも絵に限ったことではない。遠くから見れば秀麗な富士山も、近づくにつれて、岩石の露出した荒々しい姿に変わる。また、遠くから見ればきれいなビルも、近づいて見ると、ひび割れてすすけた壁面のビルだったりする。
私たちは、ひと目見たときの印象にしばられ、一面のみをとらえて、その物の全てを知ったように思いがちである。しかし、一つの図でも風景でも、見方によって見えてくるものが違う。そこで、物を見るときには、ちょっと立ち止まって、他の見方を試してみてはどうだろうか。中心に見るものを変えたり、見るときの距離を変えたりすれば、その物の他の面に気づき、新しい発見の驚きや喜びを味わうことができるだろう。

結果 (英語) 1:

Stop bitMulberry: Shigeo KANEHARA Experience taught well so said, and pointed out that what I thought I was A people say B and would be many. Figure above, entitled the Rubin vase. Should be able to look closely at the figure 2 kind of picture taking a look at. Vase shaped like a trophy look mainly white and the full effect. Back just when the black pieces. Now, look in the black part. Then, is two people sitting in the face of rising, it becomes white is back. Hide the faces of two people should be visible when looking at focusing on vases this figure, see mainly two people face and right off the bat, from vase painting just fade away. Things like this often experience in their daily lives. Try looking around the bridges across the pond in the Park now, and. Then come one girl from the other side of the bridge. Eyes are attracted to the girl. At this time, around the pond and bridge are all become mere background. Speaking on camera, was that while it focused on girl Pinto in. However and contrary to the shape of the bridge is unusual, noting that when carries on the become background. Stunning to look at work, there is one side. Be able to change it and what you see in the center right off the bat,. If the figure above? See the picture of the moment, and at the back of the picture facing young women and others watch with a picture of a grandmother buried Chin coat of fur, while others would. Alternatively, you might see other pictures. Hard to see with a glance anyone should have seen picture of something and immediately, but to do so with another picture. People thought it was a picture of a young woman, painting grandmother's sight is easy. Picture of a young woman to see her grandmother's paintings for the time being, now looks, must leave away. Let's look at the picture on the left. Picture of a woman sitting in front of the dressing table would look. However this figure is another painting course. First let us away. Then pretty soon, this figure change picture depicting a skull and crossbones. In the received picture same picture seen from near or from afar, totally different. This is what is not confined to painting. Turn the exposed rock in beautiful Mt. Fuji is approached from a distance, rugged appearance. Also, or even buildings from a distance look closely is a clean bill, cracked and grimy walls. So we stick to a impressive sight when caught only one side, did you know all of the things tend to think. However, different things to even one figure and landscape appear depending on the perspective. So, when looking at things, take a moment and try other perspectives? Notice to the other side of things, change alter what you see in the Center and see the distance you could discover new surprises and pleasures to taste.

結果 (英語) 2:

In a little stopped
Shigeo Kuwahara in myself what was I think A, been pointed out also said that B from people, the more it will be so also experience taught to be said a lot. The figure above is one entitled "Rubin of the pot." If you look closely, you should be able to take a look the two kinds of picture from this figure. If you look around the white part, vase shaped like a cup is crisp and emerge. In this case, the black portion is only the back. Now, on the other hand, we try to focus on the black part. Then, the two of the shadow of the face that are facing becoming visible, white part becomes the back. In the case of this figure, when it is seen in the center of the vase, appeared two people are no longer visible face of should have, looking around the two people face, in an instant, picture of vase is gone from the eye to become. Such a thing, we will experience well also in daily life. Now, let's say you are turning in around the bridge rests on the pond of the park. Then, a girl comes from the other side of the bridge. Eyes are attracted to the girl. In this case, those of peripheral such as bridges and ponds all, become mere background. Speaking at the camera, quickly, focus is from being aligned with the girl. But to the contrary, uncommon form of the bridge, when you are paying attention to it, such as people passing over that becomes the background. The work of seeing, there is an unexpected one side. In a moment, you can decide what you see in the center, it is to be able to or change it. But what if the figure above. Some people see a little with the young women of the picture facing the back of the figure is spoofing, will some people be seen as a picture of a grandmother who buried my chin coat of fur. Alternatively, it may be some people to see the other picture. Anyone, to instantly look glance, but should have seen a picture of something, Then, it is difficult to see another picture. For those who thought it was a young woman of the picture, grandmother of the painting does not come visible to the simple. To see a picture of the old woman, I should not for the time being, to be abandoned and be aware of the picture of the young women who are visible now. Let's look at the figure on the left. Picture of a woman sitting in front of the dressing table will be visible. But this figure also has hidden another picture. Let away the eye. Then, out of immediately, this figure would change the picture painted skull. Even in the same figure, depending on whether viewed from a distance you see from nearby, it is to be received as a completely different picture. This is not that nothing unique to painting. Also beautiful Mt. Fuji and if you look from a distance, as it approaches, changes in the exposed rough figure was of rock. Also, beautiful buildings if you look from a distance, looking approaching, and or was it cracked sooty wall of the building. We are tied to the impression when viewed glance, it captures only one side, we tend to think as know all of the things. However, even in the landscape also one of the figure, the different things that come into view by the view. Therefore, when you see things, little can be stopped, and what about not try the other perspective. You can change what you see in the center, if changing the distance when you look, you noticed on the other side of the thing, you will be able to taste the surprise and joy of new discoveries.

結果 (英語) 3:

Just as we stopped at my stress Kuwabara Shigeo A what he felt, and it can be said that people from B is pointed out, and it was going to be a lot of experience. The above diagram is one of the world 'Lubin'. And the two kinds of pictures from this figure can be seen. The white part in the center of the cup and clear that emerge in the form. At this time, the black portion in the back. On the contrary, theTake note of the black portions. Then, the two facing as the face of the shadow, the white sections will be back. In this case, when viewed in the heart, will be two of the face, looked and looked at the moment, the eyes will disappear from the picture. At this, often in daily life. Now, there's a pond in a park and look around the bridge. Then, theFrom the other side of the bridge is coming to a girl. The eyes are attracted to the girl. At this time, such as bridges, and all those around the pond, a mere background. If the camera is in the focus will be tailored to the girls. However, on the contrary, a rare form of bridge, it focuses on the background of such people. In that work, and it was unexpected. In a moment, and watch theIt is possible to change it. How will the case on the drawing. If you just see turned to the back of my pictures, and some young woman in fur coat, some people see granny and her chin. The other picture, some people might see. At any instant, a glimpse of something, you should see the pictures and, then, it is difficult to see the picture. People who believe that the young womanEasy to see granny pictures. Look at the pictures and granny, now, you must be aware of the abandoned woman pictures look now. Let 's look at the left side of the drawing. You will have to sit in front of the woman in the picture you can see. However, this view is hiding another picture. I will keep looking. Then, in an instant, this figure will be changed to the skull and crossbones picture. In the same figure, near to see from a distance, depending on whether the